Many
big budget games rely on the player overcoming violent opposition to progress. Taking
place in the floating city of Columbia during its yearly fair, BioShock Infinite’s first hour makes a
compelling argument that this needn’t be the case. Columbia is mysterious. Posters bear cryptic references to prophecies
you don’t yet understand; ambient dialogue and seemingly innocuous fairground
games hint at a culture where racism is rife; stalls show off curiously
advanced technology for a game set in 1912. Everywhere you look in BioShock Infinite, scraps of Columbia’s backstory are incorporated
organically into the landscape, and each one you discover pulls the curtain
back a little further. This process of discovery is so tantalising that you’ll
never find your trigger finger itching. When the curtain comes all the way back
and the extent of Columbia’s prejudice is laid bare, it’s one of the most
incredible scenes in gaming to date.